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[B. Brecht: Geschichten vom Herrn Keuner, Menschenkenntnis] (via negationdernegation) zu gemütliches beisammensein / togetherness, nr. 71 |
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Louis-Ferdinand Céline: Reise ans Ende der Nacht, Reinbek bei Hamburg 2003, S. 496. (via diesebastionbehrisch) zu gemütliches beisammensein / togetherness, nr. 70 |
Men Smoking Opium, 1800s, by an unknown artist
“the competition of isolated individuals means some feel free in their identity and others get lost in the process. to dissolve the identities into post-individual collectivity is not the only negation of these competitive processes. there also remains a space between, not collaborating and not competing, to denounce the idea of productivity and to claim an agile association with the association itself as the only aim. to have a collaborative existence not for having a profit, but for having existences and collaborations outside the idea of profit.” - “gemütlichkeit”
zu gemütliches beisammensein / togetherness, nr. 68
“Another current airline-safety card riffs on Hopper’s 1942 painting, Nighthawks, and imagines the conventional post-crash scene as a variation on the loneliness-within-a-group motif” (via The Unlikely Event, Avi Steinberg)
zu gemütliches beisammensein / togetherness, nr. 67
Die Einsamkeit verwüstet mich; die Geselligkeit bedrückt mich. Die Gegenwart einer anderen Person wirft meine Gedanken aus der Bahn; ich träume von ihrer Gegenwart mit einer besonderen Zerstreutheit, die meine analytische Aufmerksamkeit nicht zu definieren mag.
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Fernando Pessoa: Das Buch der Unruhe, Frankfurt am Main 2006, S. 116. (via diesebastionbehrisch) zu gemütliches beisammensein / togetherness, nr. 66 |
“Tehching Hsieh and Linda Montano spent one year tied to each other with an 8-foot-long (2.4 m) rope from 1983-1984. They had to stay in a same room while not allowed to touch each other until the end of the one year period. “
from an interview:
Tehching Hsieh: On a philosophical level, I feel that the piece is not nearing an end. It’s just that we are tied to each other psychologically. When we die it ends. Until then we are all tied up.
zu gemütliches beisammensein / togetherness, nr. 65
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Theodor Adorno, Minima Moralia (via theinfinitegeneration) zu gemütliches beisammensein / togetherness, nr. 64 |
William Sidney Mount
The Power of Music 1847
Oil on canvas 17 x 21 in
Cleveland Museum of Art, Cleveland, OhioSet in rural Long Island before the Civil War, this scene of an African American laborer eavesdropping on a fiddle tune suggests the divisive race relations in America at the time. While a love of music connects the men and acknowledges their common humanity, they nevertheless occupy different spaces. The barn door that separates the laborer likely serves as a symbolic reminder that he lacked the political rights and social privileges of the group of white men inside.
—Cleveland Museum of Art
zu gemütliches beisammensein / togetherness, nr. 63





